Madison Spencer is dead. DAMNED is the story of her time in Hell. Is all this obvious? Perhaps: there IS a devil on the cover.
But what follows is walk through a thirteen year old girl's life that ought to have been great, ought to have been the type of life contemporary thirteen year olds yearn for: super-rich and super-famous and, sadly, super-liberal movie star parents; houses in every possible continent, access to drugs, and Hello Kitty condoms. But Madison isn't happy. No, not until she meets her parents' new pet adoptee, Goran.
After she dies, Madison takes you through Chuck Palahniuk's version of Hell that's complete with the Swamp of Partial-birth Abortions, Shit Lake, and...well, you get the idea. Also, Hitler shows up because why shouldn't he?
This is Palahniuk at his nihilistic, most acerbic best. He's not reached this height of humor and cynicism and truth in a very long time (TELL-ALL read like a warm-up exercise, RANT was a bit too loose, SNUFF wasn't what it could've been, HAUNTED tried and failed at clever). What he does in having Madison guide us through Hell isn't to show how frightening that prospect is, but rather how easy it is to being damned. Through her monologues, Madison discovers along the way that we're all so close to eternal damnation, even taking all the vitamins and recycling everything isn't enough to save anyone. Surely, according to her, nearly everyone's already earned a trip to Hell by age five for peeing in pools - there's a limit, you see, to how many times you're allowed to pee in pools before you're damned and it's two.
But all through Madison's adventures through Hell, it isn't that we're learning along with her the rules of this place or why people wind up here, but more about what we tell others and ourselves to make us seem less likely to die as sinners. We want to win when it comes to our eternal afterlife, never realizing our afterlives are already decided. But this isn't a religious book. Not really.
DAMNED, similar to Palahniuk's other books, is about being happy with who and what you are. About not giving a whit about what anyone else says. About self-determination and self-reliance. DAMNED is about forgetting everything everyone else thinks about you and being the only you the world deserves. Madison can only be that once she dies. Even despite the fack her parents tried and tried to be better than any other parents, they failed in nurturing the person Madison needed to be in this world. But it was only by dying and going to Hell that she sees this, that we see this. When everything is demons and death for eternity, it's easy to see that who we are in Hell isn't who we are on Earth: who we are in the latter is not us.
Palahniuk brings us back to self-destruction as self-realization. Realizing that people who're still alive and their terrible superiority complex over the dead is only transitory and only death is certain.
The imagery in the book reminded me of Chris Weston's Hell in LUCIFER and his work in THE FILTH, how I imagined it as I read: I'd love to see his version of the Sea of Insects. Palahniuk doesn't go into lots of detail with his Hell, but when you read his topography, it's hard not see a certain...aesthetic. What do you imagine when you read the Great Ocean of Wasted Sperm?
And, finally, as Madison confronts Satan himself, Palahniuk manages a pretty nasty trick on her that I want to spoil so badly but wont. Because in that exchange, when I wanted a suave manipulator akin to Neil Gaiman's and Mike Carey's LUCIFER, I got a more "real" Satan: a Satan for the post-Hollywood world.
I laughed along with this book not because of its outlandish scenery but because it's more honest about what life is on Earth than I was taught in Catechism. It's honest when Madison says that we all think we're better off than the dead because we're simply alive. It's honest when she says that everyone, like her parents, obsessed with remaining youthful will end up as worm fodder. But unlike FIGHT CLUB, DAMNED doesn't say there's worse things than death. Madison is our avatar through our own stories, regardless of age, full of ridiculous experiences that we allow to define ourselves in the bigger picture, the bigger picture being life.
Monday, October 24, 2011
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